Written on October 19, 2005
Joan Didion has received a lot of press coverage in the last two or three weeks for her new book, The Year of Magical Thinking, more coverage, I think, than any other book she’s ever written. Why so much attention? Because, obviously, it takes a tremendous amount of courage for a wife to write about the death of her husband, and if the wife happens to be Joan Didion, and the husband happens to have been John Gregory Dunne, the book is going to get some attention. A writer for the Village Voice put it best; “The writer who famously cut to passages from her psychiatric report in "The White Album" here splices in her husband's autopsy and her daughter's CT scan. Can we stand to read this book? What kind of mad fortitude did it take to write it?”
What kind of mad fortitude, indeed? John Gregory Dunne died of a massive heart attack sitting at his own dinner table, while his wife was preparing dinner, on December 30, 2003. They had just returned from the hospital, where their only daughter was in a medically-induced coma. Ms. Didion spent the next year researching grief; she finished writing last December, a year and a day after her husband’s death, and it is nothing short of incredible.
The answer to the Village Voice writer’s question is, yes, we can stand to read this book, but only when we’re prepared to read it – only when it can be understood because you’re at a point in your life where no one else understands what you’ve been through. Joan Didion gets it. More to the point, she can describe it. She can describe the craziness, what she refers to as “magical thinking” – she can’t throw away her husband’s shoes because he’ll need them if he comes back. I have experienced similar craziness – I still have a closet full of my mother’s coats (it will be cold; she’ll need them?) and a drawer full of Chanel No. 5 products. I simply haven’t been able to do anything with them.
An excerpt:
“Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect this shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be “healing.” A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to “get through it,” rise to the occasion, exhibit the “strength” that invariably gets mentioned as the correct response to death….Nor can we know ahead of the fact (and here lies the heart of the difference between grief as we imagine it and grief as it is) the unending silence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.”
When I mentioned to my aunt that I had purchased Joan Didion’s new book, she moaned at me, thinking it would get me depressed. (I fully admit that “Play It as It Lays” didn’t do a lot for my mental state – I was literally a child when I read it, and it may have done permanent damage. I’m still not sure.) “Don’t read it at night; read it on a bright sunny day,” she begged me. I teased her that I’d watch Bugs Bunny cartoons when I was done reading it.
When I finished the book, two nights ago, I didn’t need any Bugs Bunny cartoons. I was fine; I felt better. It’s good to know you’re not crazy. What I did, instead of watching cartoons, was go downstairs and take all of my mother’s coats out of the closets, and box them up for Goodwill. She doesn’t need her coats any more, and neither do I.
As an awful postscript, the book was finished and ready for publication in August of this year. Two weeks later, Joan Didion’s daughter died at the age of 39. When she was asked if she wanted to re-edit the ending of the book, she said, no. She said, it’s done.
Go buy this book, and put it on a shelf. Unfortunately, there will come a day when you’ll need it, and then, it will help you.